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	<title>Title Here &#187; opera history</title>
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		<title>Operetta from Contemporary Opera Performances</title>
		<link>http://www.titlehere.com/operetta-from-contemporary-opera-performances.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=operetta-from-contemporary-opera-performances</link>
		<comments>http://www.titlehere.com/operetta-from-contemporary-opera-performances.html#comments</comments>
		<pubDate>Sat, 01 Aug 2009 23:05:05 +0000</pubDate>
		<dc:creator>TitleHere</dc:creator>
				<category><![CDATA[Opera titles]]></category>
		<category><![CDATA[Operas]]></category>
		<category><![CDATA[broadway]]></category>
		<category><![CDATA[Broadway music]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[Contemporary Opera Performances]]></category>
		<category><![CDATA[distinct music performance]]></category>
		<category><![CDATA[intrinsic political statements]]></category>
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		<category><![CDATA[music]]></category>
		<category><![CDATA[music comedy]]></category>
		<category><![CDATA[new york broadway]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[opera history]]></category>
		<category><![CDATA[operas]]></category>
		<category><![CDATA[Operetta]]></category>
		<category><![CDATA[quiet musical themes]]></category>
		<category><![CDATA[realism]]></category>
		<category><![CDATA[Robert le Diable]]></category>

		<guid isPermaLink="false">http://www.titlehere.com/?p=234</guid>
		<description><![CDATA[<p>Operetta is one of the many genres of performance arts that has a very close relationship with opera in terms of both theme and music sequences. Sometimes it is difficult to differentiate between operetta and opera. The term was used for the first time to describe opera stage performances that were shorter and less ambitious [...]]]></description>
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		<item>
		<title>Exploring Various Opera Singing Voices</title>
		<link>http://www.titlehere.com/exploring-various-opera-singing-voices.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=exploring-various-opera-singing-voices</link>
		<comments>http://www.titlehere.com/exploring-various-opera-singing-voices.html#comments</comments>
		<pubDate>Fri, 31 Jul 2009 22:59:13 +0000</pubDate>
		<dc:creator>TitleHere</dc:creator>
				<category><![CDATA[Opera titles]]></category>
		<category><![CDATA[Operas]]></category>
		<category><![CDATA[Aida]]></category>
		<category><![CDATA[Baritone]]></category>
		<category><![CDATA[bass-baritone]]></category>
		<category><![CDATA[Carmen]]></category>
		<category><![CDATA[classical opera performance]]></category>
		<category><![CDATA[classical operatic literature]]></category>
		<category><![CDATA[comic bass]]></category>
		<category><![CDATA[Contralto]]></category>
		<category><![CDATA[Count Almaviva]]></category>
		<category><![CDATA[Dramatic soprano]]></category>
		<category><![CDATA[enrico caruso]]></category>
		<category><![CDATA[enrico caruso verdi]]></category>
		<category><![CDATA[low social standing]]></category>
		<category><![CDATA[lower social strata]]></category>
		<category><![CDATA[lowest male voice]]></category>
		<category><![CDATA[lyric soprano]]></category>
		<category><![CDATA[Many music commentators]]></category>
		<category><![CDATA[mezzo-soprano]]></category>
		<category><![CDATA[Most hero roles]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[opera history]]></category>
		<category><![CDATA[Opera Singing Voices]]></category>
		<category><![CDATA[operas]]></category>
		<category><![CDATA[operatic literature]]></category>
		<category><![CDATA[Papageno]]></category>
		<category><![CDATA[particular voice types]]></category>
		<category><![CDATA[peculiar baritone voice]]></category>
		<category><![CDATA[Tosca]]></category>
		<category><![CDATA[typical german bass-baritone]]></category>
		<category><![CDATA[various dramatic qualities]]></category>
		<category><![CDATA[Verdi]]></category>
		<category><![CDATA[Verdi baritone]]></category>
		<category><![CDATA[Wolfgang Amadeus Mozart]]></category>

		<guid isPermaLink="false">http://www.titlehere.com/?p=232</guid>
		<description><![CDATA[<p>Different roles in opera are performed using particular voice types. Each is designed for different types of singers and the differential in vocal range in performance is the secret behind the richness of variety and distinctiveness in every classical opera performance.</p>
<p>Opera voices can therefore be classified into different types that fall into either the masculine [...]]]></description>
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		<item>
		<title>Comic Opera and Its Main Variants</title>
		<link>http://www.titlehere.com/comic-opera-and-its-main-variants.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=comic-opera-and-its-main-variants</link>
		<comments>http://www.titlehere.com/comic-opera-and-its-main-variants.html#comments</comments>
		<pubDate>Thu, 30 Jul 2009 22:54:47 +0000</pubDate>
		<dc:creator>TitleHere</dc:creator>
				<category><![CDATA[Opera titles]]></category>
		<category><![CDATA[Operas]]></category>
		<category><![CDATA[accomplished comic opera]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[Comic Opera]]></category>
		<category><![CDATA[comic opera tradition]]></category>
		<category><![CDATA[Comic Operetta]]></category>
		<category><![CDATA[comical scenes]]></category>
		<category><![CDATA[English Ballad Opera]]></category>
		<category><![CDATA[Franz Lehar]]></category>
		<category><![CDATA[French comic opera]]></category>
		<category><![CDATA[French Opera]]></category>
		<category><![CDATA[French Opera Comique]]></category>
		<category><![CDATA[French social philosopher]]></category>
		<category><![CDATA[German Singspiel]]></category>
		<category><![CDATA[Gioacchino Rossini]]></category>
		<category><![CDATA[Italian comic opera]]></category>
		<category><![CDATA[Italian opera]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Merry Widow]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[opera history]]></category>
		<category><![CDATA[opera of Zarzuela]]></category>
		<category><![CDATA[opera singspiel]]></category>
		<category><![CDATA[operas]]></category>
		<category><![CDATA[Operetta]]></category>
		<category><![CDATA[Other various varieties]]></category>
		<category><![CDATA[Pergolesi]]></category>
		<category><![CDATA[Singspiel]]></category>
		<category><![CDATA[singspiel germany]]></category>
		<category><![CDATA[singspiel in germany]]></category>
		<category><![CDATA[singspiel opera]]></category>
		<category><![CDATA[Spanish comic opera]]></category>
		<category><![CDATA[Spanish Zarzuela]]></category>
		<category><![CDATA[Viennese Operetta]]></category>

		<guid isPermaLink="false">http://www.titlehere.com/?p=230</guid>
		<description><![CDATA[<p>Comic opera originated from a strand of opera that was characterized by short but highly entertaining scenes which in most cases had funny servants. The comic opera tradition remains to this day. During the 16th century, these comical scenes came in between various acts that constituted serious opera.</p>
<p>Comic opera existed prior to the 17th century. [...]]]></description>
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		<item>
		<title>The Early Face of Italian Opera</title>
		<link>http://www.titlehere.com/the-early-face-of-italian-opera.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-early-face-of-italian-opera</link>
		<comments>http://www.titlehere.com/the-early-face-of-italian-opera.html#comments</comments>
		<pubDate>Wed, 29 Jul 2009 22:49:37 +0000</pubDate>
		<dc:creator>TitleHere</dc:creator>
				<category><![CDATA[Opera titles]]></category>
		<category><![CDATA[Operas]]></category>
		<category><![CDATA[amazing preparatory actions]]></category>
		<category><![CDATA[Bellini]]></category>
		<category><![CDATA[Claudio Monteverdi]]></category>
		<category><![CDATA[Donizetti]]></category>
		<category><![CDATA[early italian opera]]></category>
		<category><![CDATA[Euridice]]></category>
		<category><![CDATA[eurydice and orpheus]]></category>
		<category><![CDATA[Giulio Rospigliaosi]]></category>
		<category><![CDATA[heightening natural speech]]></category>
		<category><![CDATA[influential opera performances]]></category>
		<category><![CDATA[italian language]]></category>
		<category><![CDATA[italian music opera]]></category>
		<category><![CDATA[Italian opera]]></category>
		<category><![CDATA[Italian opera compositions]]></category>
		<category><![CDATA[italian opera music]]></category>
		<category><![CDATA[italian opera scene]]></category>
		<category><![CDATA[italian operas]]></category>
		<category><![CDATA[italy opera]]></category>
		<category><![CDATA[Marie de Medici]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[opera dafne]]></category>
		<category><![CDATA[opera early]]></category>
		<category><![CDATA[opera history]]></category>
		<category><![CDATA[opera in italy]]></category>
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		<category><![CDATA[operas]]></category>
		<category><![CDATA[Orfeo]]></category>
		<category><![CDATA[Orpheus]]></category>
		<category><![CDATA[orpheus opera]]></category>
		<category><![CDATA[Pope Clement IX]]></category>
		<category><![CDATA[Puccini]]></category>
		<category><![CDATA[Rome]]></category>
		<category><![CDATA[strong string music]]></category>
		<category><![CDATA[Venetian opera chief]]></category>
		<category><![CDATA[Venetian opera chief composer]]></category>
		<category><![CDATA[Venice]]></category>
		<category><![CDATA[Verdi]]></category>

		<guid isPermaLink="false">http://www.titlehere.com/?p=228</guid>
		<description><![CDATA[<p>Italian opera combines both the aspects of opera as an art and opera is part of the repository of the Italian language. Opera was in Italy in the late 1500ís and continues to play a dormant role in the cultural fabric of the country. Some of the most influential opera performances in Italy during this [...]]]></description>
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		<title>French Opera and Its Italian Influences</title>
		<link>http://www.titlehere.com/french-opera-and-its-italian-influences.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=french-opera-and-its-italian-influences</link>
		<comments>http://www.titlehere.com/french-opera-and-its-italian-influences.html#comments</comments>
		<pubDate>Tue, 28 Jul 2009 22:45:26 +0000</pubDate>
		<dc:creator>TitleHere</dc:creator>
				<category><![CDATA[Opera titles]]></category>
		<category><![CDATA[Operas]]></category>
		<category><![CDATA["opera comique" plays]]></category>
		<category><![CDATA[ambitious company owners]]></category>
		<category><![CDATA[best known venues]]></category>
		<category><![CDATA[classical french drama]]></category>
		<category><![CDATA[Darius Milhaud]]></category>
		<category><![CDATA[French Opera]]></category>
		<category><![CDATA[french opera comique images]]></category>
		<category><![CDATA[French Revolution]]></category>
		<category><![CDATA[French theatres]]></category>
		<category><![CDATA[French Tragedie Lyrique]]></category>
		<category><![CDATA[important opera performances]]></category>
		<category><![CDATA[Italian opera]]></category>
		<category><![CDATA[Jean Baptiste Lully]]></category>
		<category><![CDATA[Many traveling companies]]></category>
		<category><![CDATA[Meyerbeer]]></category>
		<category><![CDATA[Olivier Messiaen]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[Opera Bouffe]]></category>
		<category><![CDATA[Opera Comique]]></category>
		<category><![CDATA[opera history]]></category>
		<category><![CDATA[opera performance career]]></category>
		<category><![CDATA[operas]]></category>
		<category><![CDATA[Paris Fair Theaters]]></category>
		<category><![CDATA[Rousseau]]></category>
		<category><![CDATA[traditional french style]]></category>
		<category><![CDATA[traditional french styles]]></category>

		<guid isPermaLink="false">http://www.titlehere.com/?p=225</guid>
		<description><![CDATA[<p>France has always maintained a highly operatic tradition since Jean Baptiste Lully, an Italian, set foot into the country. While it is true that Italian opera maintained a strong influence on French Opera, the French variety of this form of composition maintained the much-valued principles of classical French drama.</p>
<p>The linguistic traditions of French Opera have [...]]]></description>
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		<title>A Long Journey of German Opera through History</title>
		<link>http://www.titlehere.com/a-long-journey-of-german-opera-through-history.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=a-long-journey-of-german-opera-through-history</link>
		<comments>http://www.titlehere.com/a-long-journey-of-german-opera-through-history.html#comments</comments>
		<pubDate>Mon, 27 Jul 2009 22:41:31 +0000</pubDate>
		<dc:creator>TitleHere</dc:creator>
				<category><![CDATA[Opera titles]]></category>
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		<category><![CDATA[Austria]]></category>
		<category><![CDATA[composer]]></category>
		<category><![CDATA[dresden opernhaus]]></category>
		<category><![CDATA[early 20th century]]></category>
		<category><![CDATA[Emperor Joseph II]]></category>
		<category><![CDATA[famous austrian composer]]></category>
		<category><![CDATA[franz von suppe]]></category>
		<category><![CDATA[French Opera]]></category>
		<category><![CDATA[French popular comedy]]></category>
		<category><![CDATA[German composers]]></category>
		<category><![CDATA[German language opera]]></category>
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		<category><![CDATA[german scenrie]]></category>
		<category><![CDATA[great german composers]]></category>
		<category><![CDATA[great opera tradition]]></category>
		<category><![CDATA[Handel]]></category>
		<category><![CDATA[Italian opera]]></category>
		<category><![CDATA[Johan Sebastian Bach]]></category>
		<category><![CDATA[Johan Strauss]]></category>
		<category><![CDATA[late 19th century]]></category>
		<category><![CDATA[Many German courts]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[Mozart Amadeus Wolfgang]]></category>
		<category><![CDATA[new opera strand]]></category>
		<category><![CDATA[numerous provincial operas]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[opera history]]></category>
		<category><![CDATA[operas]]></category>
		<category><![CDATA[Operetta]]></category>
		<category><![CDATA[Richard Strauss]]></category>
		<category><![CDATA[Singspiel]]></category>
		<category><![CDATA[The Magic Flute]]></category>
		<category><![CDATA[unfinished symphonic works]]></category>
		<category><![CDATA[Wagner]]></category>
		<category><![CDATA[Wolfgang Amadeus Mozart]]></category>
		<category><![CDATA[Zauberflote]]></category>

		<guid isPermaLink="false">http://www.titlehere.com/?p=223</guid>
		<description><![CDATA[<p>Many German courts were heavily influenced by both Italian and French opera traditions. The Habsburg Empire which had its headquarters in Vienna was also influenced in an equally significant manner. In fact, great German composers such as Handel and Johan Sebastian succeeded because of their synthesis of these two opera traditions.</p>
<p>Hamburg had time for opera [...]]]></description>
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		</item>
		<item>
		<title>An In Depth Analysis of Various Types of Operas</title>
		<link>http://www.titlehere.com/an-in-depth-analysis-of-various-types-of-operas.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=an-in-depth-analysis-of-various-types-of-operas</link>
		<comments>http://www.titlehere.com/an-in-depth-analysis-of-various-types-of-operas.html#comments</comments>
		<pubDate>Sun, 26 Jul 2009 22:40:58 +0000</pubDate>
		<dc:creator>TitleHere</dc:creator>
				<category><![CDATA[Opera titles]]></category>
		<category><![CDATA[Operas]]></category>
		<category><![CDATA[16th century music]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[composer]]></category>
		<category><![CDATA[French Opera]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[mozart operas]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[Opera Buffa]]></category>
		<category><![CDATA[Opera Comique]]></category>
		<category><![CDATA[opera history]]></category>
		<category><![CDATA[operas]]></category>
		<category><![CDATA[Operetta]]></category>
		<category><![CDATA[Singspiel]]></category>
		<category><![CDATA[types of operas]]></category>
		<category><![CDATA[Wolfgang Amadeus Mozart]]></category>

		<guid isPermaLink="false">http://www.titlehere.com/?p=221</guid>
		<description><![CDATA[<p>It is not all operas that have a music setting from the beginning to the end. This basically means that there are many types of operas. The most common type of opera is grand opera. This type of opera is set in music only. The Opera Buffe which is of French origin and its Italian [...]]]></description>
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		</item>
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		<title>A brief history of Opera</title>
		<link>http://www.titlehere.com/a-brief-history-of-opera.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=a-brief-history-of-opera</link>
		<comments>http://www.titlehere.com/a-brief-history-of-opera.html#comments</comments>
		<pubDate>Sun, 26 Jul 2009 22:37:02 +0000</pubDate>
		<dc:creator>TitleHere</dc:creator>
				<category><![CDATA[Opera titles]]></category>
		<category><![CDATA[Operas]]></category>
		<category><![CDATA[brief history of opera]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[Der Friegende Hollander]]></category>
		<category><![CDATA[Dido and Aeneas]]></category>
		<category><![CDATA[early 17th century]]></category>
		<category><![CDATA[elaborate musical conceptions]]></category>
		<category><![CDATA[german opera]]></category>
		<category><![CDATA[greatest known composers]]></category>
		<category><![CDATA[historical venetian costume 1600]]></category>
		<category><![CDATA[history of opera]]></category>
		<category><![CDATA[Italian opera]]></category>
		<category><![CDATA[Italyís greatest influence]]></category>
		<category><![CDATA[major european countries]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[Opera Buffo variety]]></category>
		<category><![CDATA[opera history]]></category>
		<category><![CDATA[operas]]></category>
		<category><![CDATA[The Italian Opera]]></category>

		<guid isPermaLink="false">http://www.titlehere.com/?p=219</guid>
		<description><![CDATA[<p>A historical understanding of the origin of opera is important if the music itself is to be enjoyed. Opera developed in England, Germany, France, and most importantly Italy in the beginning of the 16th century. In fact, the leading role in this development was played by Italy. A story in opera finds expression through musical [...]]]></description>
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		<title>Mozart and Opera History 2</title>
		<link>http://www.titlehere.com/mozart-and-opera-history-2.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=mozart-and-opera-history-2</link>
		<comments>http://www.titlehere.com/mozart-and-opera-history-2.html#comments</comments>
		<pubDate>Tue, 16 Jun 2009 20:32:33 +0000</pubDate>
		<dc:creator>TitleHere</dc:creator>
				<category><![CDATA[Opera titles]]></category>
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		<category><![CDATA[composer]]></category>
		<category><![CDATA[convenient theatrical vehicle]]></category>
		<category><![CDATA[Emperor Joseph II]]></category>
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		<category><![CDATA[Empress Maria Thèrése]]></category>
		<category><![CDATA[florid da capo]]></category>
		<category><![CDATA[German Holy Roman]]></category>
		<category><![CDATA[holy roman empire]]></category>
		<category><![CDATA[Italian opera]]></category>
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		<category><![CDATA[late eighteenth century]]></category>
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		<category><![CDATA[Mozart’s music style]]></category>
		<category><![CDATA[mozart’s native salzburg]]></category>
		<category><![CDATA[opera history]]></category>
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		<category><![CDATA[Pergolesi’s La Serva]]></category>
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		<category><![CDATA[profound dramatic integrity]]></category>
		<category><![CDATA[renowned progressive thinkers]]></category>
		<category><![CDATA[Royal Opera House]]></category>
		<category><![CDATA[Singspiel]]></category>
		<category><![CDATA[skilled harpsichord player]]></category>
		<category><![CDATA[society’s lower classes]]></category>
		<category><![CDATA[title of a singspiel by mozart]]></category>
		<category><![CDATA[Wolfgang Amadeus Mozart]]></category>

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		<description><![CDATA[<p>Mozart’s music style and the late eighteenth century Classical era music are virtually synonymous. The goal of Classical era music was to conform to specific standards and forms, to be succinct, clear, and well balanced, but at the same time, to develop musical ideas to an emotionally satisfying fullness. As a quintessential Classicist, Mozart’s music [...]]]></description>
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		<title>Mozart and Opera History 1</title>
		<link>http://www.titlehere.com/mozart-and-opera-history-1.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=mozart-and-opera-history-1</link>
		<comments>http://www.titlehere.com/mozart-and-opera-history-1.html#comments</comments>
		<pubDate>Tue, 16 Jun 2009 20:31:44 +0000</pubDate>
		<dc:creator>TitleHere</dc:creator>
				<category><![CDATA[Opera titles]]></category>
		<category><![CDATA[Operas]]></category>
		<category><![CDATA[artists]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[classical music opera]]></category>
		<category><![CDATA[composer]]></category>
		<category><![CDATA[eminent musician and composer]]></category>
		<category><![CDATA[ingenious musical inventions]]></category>
		<category><![CDATA[Johann Sebastian Bach]]></category>
		<category><![CDATA[Ludwig van Beethoven]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[mozart and opera]]></category>
		<category><![CDATA[mozart operas]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[opera history]]></category>
		<category><![CDATA[operas]]></category>
		<category><![CDATA[religious musical composition]]></category>
		<category><![CDATA[Western opera history]]></category>
		<category><![CDATA[Wolfgang Amadeus Mozart]]></category>

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		<description><![CDATA[<p>During the latter part of the eighteenth century, Wolfgang Amadeus Mozart innovated new perspectives for opera history, imbuing his operas with portrayals of profound matters of the heart, all set against the explosive social and political struggles of Enlightenment Europe. It was the beginning of Mozart and Opera history.</p>
<p>Mozart became the first psychologist of opera [...]]]></description>
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