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	<title>Title Here &#187; Wolfgang Amadeus Mozart</title>
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		<title>Revisiting Mozart in Don Giovanni</title>
		<link>http://www.titlehere.com/revisiting-mozart-in-don-giovanni.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=revisiting-mozart-in-don-giovanni</link>
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		<pubDate>Sun, 25 Oct 2009 14:50:18 +0000</pubDate>
		<dc:creator>TitleHere</dc:creator>
				<category><![CDATA[Opera titles]]></category>
		<category><![CDATA[amazing two-act opera]]></category>
		<category><![CDATA[captivating philosophical meaning]]></category>
		<category><![CDATA[Comic Opera]]></category>
		<category><![CDATA[Don Giovanni]]></category>
		<category><![CDATA[Don Giovanni entry]]></category>
		<category><![CDATA[don juan don giovanni]]></category>
		<category><![CDATA[George Bernard Shaw]]></category>
		<category><![CDATA[Giovanni’s operatic score]]></category>
		<category><![CDATA[Lorenzo Da Ponte]]></category>
		<category><![CDATA[Many prominent writers]]></category>
		<category><![CDATA[Mozart’s Don Giovanni]]></category>
		<category><![CDATA[Mozart’s Don Giovanni]]></category>
		<category><![CDATA[operas]]></category>
		<category><![CDATA[refined unique blend]]></category>
		<category><![CDATA[standard operatic repertoire]]></category>
		<category><![CDATA[Wolfgang Amadeus Mozart]]></category>
		<category><![CDATA[works of art]]></category>

		<guid isPermaLink="false">http://www.titlehere.com/?p=309</guid>
		<description><![CDATA[<p>With the popularity and fame of Wolfgang Amadeus Mozart, almost everyone has an idea what Don Giovanni is.  The place of Mozart in opera was just above the pack, and in his few years of life, he achieved what nobody less than a genius could have. This amazing two-act opera was composed by Wolfgang [...]]]></description>
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		<title>Exploring Various Opera Singing Voices</title>
		<link>http://www.titlehere.com/exploring-various-opera-singing-voices.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=exploring-various-opera-singing-voices</link>
		<comments>http://www.titlehere.com/exploring-various-opera-singing-voices.html#comments</comments>
		<pubDate>Fri, 31 Jul 2009 22:59:13 +0000</pubDate>
		<dc:creator>TitleHere</dc:creator>
				<category><![CDATA[Opera titles]]></category>
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		<category><![CDATA[Aida]]></category>
		<category><![CDATA[Baritone]]></category>
		<category><![CDATA[bass-baritone]]></category>
		<category><![CDATA[Carmen]]></category>
		<category><![CDATA[classical opera performance]]></category>
		<category><![CDATA[classical operatic literature]]></category>
		<category><![CDATA[comic bass]]></category>
		<category><![CDATA[Contralto]]></category>
		<category><![CDATA[Count Almaviva]]></category>
		<category><![CDATA[Dramatic soprano]]></category>
		<category><![CDATA[enrico caruso]]></category>
		<category><![CDATA[enrico caruso verdi]]></category>
		<category><![CDATA[low social standing]]></category>
		<category><![CDATA[lower social strata]]></category>
		<category><![CDATA[lowest male voice]]></category>
		<category><![CDATA[lyric soprano]]></category>
		<category><![CDATA[Many music commentators]]></category>
		<category><![CDATA[mezzo-soprano]]></category>
		<category><![CDATA[Most hero roles]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[opera history]]></category>
		<category><![CDATA[Opera Singing Voices]]></category>
		<category><![CDATA[operas]]></category>
		<category><![CDATA[operatic literature]]></category>
		<category><![CDATA[Papageno]]></category>
		<category><![CDATA[particular voice types]]></category>
		<category><![CDATA[peculiar baritone voice]]></category>
		<category><![CDATA[Tosca]]></category>
		<category><![CDATA[typical german bass-baritone]]></category>
		<category><![CDATA[various dramatic qualities]]></category>
		<category><![CDATA[Verdi]]></category>
		<category><![CDATA[Verdi baritone]]></category>
		<category><![CDATA[Wolfgang Amadeus Mozart]]></category>

		<guid isPermaLink="false">http://www.titlehere.com/?p=232</guid>
		<description><![CDATA[<p>Different roles in opera are performed using particular voice types. Each is designed for different types of singers and the differential in vocal range in performance is the secret behind the richness of variety and distinctiveness in every classical opera performance.</p>
<p>Opera voices can therefore be classified into different types that fall into either the masculine [...]]]></description>
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		<title>A Long Journey of German Opera through History</title>
		<link>http://www.titlehere.com/a-long-journey-of-german-opera-through-history.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=a-long-journey-of-german-opera-through-history</link>
		<comments>http://www.titlehere.com/a-long-journey-of-german-opera-through-history.html#comments</comments>
		<pubDate>Mon, 27 Jul 2009 22:41:31 +0000</pubDate>
		<dc:creator>TitleHere</dc:creator>
				<category><![CDATA[Opera titles]]></category>
		<category><![CDATA[Operas]]></category>
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		<category><![CDATA[Austria]]></category>
		<category><![CDATA[composer]]></category>
		<category><![CDATA[dresden opernhaus]]></category>
		<category><![CDATA[early 20th century]]></category>
		<category><![CDATA[Emperor Joseph II]]></category>
		<category><![CDATA[famous austrian composer]]></category>
		<category><![CDATA[franz von suppe]]></category>
		<category><![CDATA[French Opera]]></category>
		<category><![CDATA[French popular comedy]]></category>
		<category><![CDATA[German composers]]></category>
		<category><![CDATA[German language opera]]></category>
		<category><![CDATA[german opera]]></category>
		<category><![CDATA[German opera tradition]]></category>
		<category><![CDATA[german scenrie]]></category>
		<category><![CDATA[great german composers]]></category>
		<category><![CDATA[great opera tradition]]></category>
		<category><![CDATA[Handel]]></category>
		<category><![CDATA[Italian opera]]></category>
		<category><![CDATA[Johan Sebastian Bach]]></category>
		<category><![CDATA[Johan Strauss]]></category>
		<category><![CDATA[late 19th century]]></category>
		<category><![CDATA[Many German courts]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[Mozart Amadeus Wolfgang]]></category>
		<category><![CDATA[new opera strand]]></category>
		<category><![CDATA[numerous provincial operas]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[opera history]]></category>
		<category><![CDATA[operas]]></category>
		<category><![CDATA[Operetta]]></category>
		<category><![CDATA[Richard Strauss]]></category>
		<category><![CDATA[Singspiel]]></category>
		<category><![CDATA[The Magic Flute]]></category>
		<category><![CDATA[unfinished symphonic works]]></category>
		<category><![CDATA[Wagner]]></category>
		<category><![CDATA[Wolfgang Amadeus Mozart]]></category>
		<category><![CDATA[Zauberflote]]></category>

		<guid isPermaLink="false">http://www.titlehere.com/?p=223</guid>
		<description><![CDATA[<p>Many German courts were heavily influenced by both Italian and French opera traditions. The Habsburg Empire which had its headquarters in Vienna was also influenced in an equally significant manner. In fact, great German composers such as Handel and Johan Sebastian succeeded because of their synthesis of these two opera traditions.</p>
<p>Hamburg had time for opera [...]]]></description>
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		</item>
		<item>
		<title>An In Depth Analysis of Various Types of Operas</title>
		<link>http://www.titlehere.com/an-in-depth-analysis-of-various-types-of-operas.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=an-in-depth-analysis-of-various-types-of-operas</link>
		<comments>http://www.titlehere.com/an-in-depth-analysis-of-various-types-of-operas.html#comments</comments>
		<pubDate>Sun, 26 Jul 2009 22:40:58 +0000</pubDate>
		<dc:creator>TitleHere</dc:creator>
				<category><![CDATA[Opera titles]]></category>
		<category><![CDATA[Operas]]></category>
		<category><![CDATA[16th century music]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[composer]]></category>
		<category><![CDATA[French Opera]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[mozart operas]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[Opera Buffa]]></category>
		<category><![CDATA[Opera Comique]]></category>
		<category><![CDATA[opera history]]></category>
		<category><![CDATA[operas]]></category>
		<category><![CDATA[Operetta]]></category>
		<category><![CDATA[Singspiel]]></category>
		<category><![CDATA[types of operas]]></category>
		<category><![CDATA[Wolfgang Amadeus Mozart]]></category>

		<guid isPermaLink="false">http://www.titlehere.com/?p=221</guid>
		<description><![CDATA[<p>It is not all operas that have a music setting from the beginning to the end. This basically means that there are many types of operas. The most common type of opera is grand opera. This type of opera is set in music only. The Opera Buffe which is of French origin and its Italian [...]]]></description>
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		<item>
		<title>Mozart and Opera History 2</title>
		<link>http://www.titlehere.com/mozart-and-opera-history-2.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=mozart-and-opera-history-2</link>
		<comments>http://www.titlehere.com/mozart-and-opera-history-2.html#comments</comments>
		<pubDate>Tue, 16 Jun 2009 20:32:33 +0000</pubDate>
		<dc:creator>TitleHere</dc:creator>
				<category><![CDATA[Opera titles]]></category>
		<category><![CDATA[Operas]]></category>
		<category><![CDATA[artists]]></category>
		<category><![CDATA[Classical era music]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[composer]]></category>
		<category><![CDATA[convenient theatrical vehicle]]></category>
		<category><![CDATA[Emperor Joseph II]]></category>
		<category><![CDATA[Emperor Leopold II]]></category>
		<category><![CDATA[Empress Maria Thèrése]]></category>
		<category><![CDATA[florid da capo]]></category>
		<category><![CDATA[German Holy Roman]]></category>
		<category><![CDATA[holy roman empire]]></category>
		<category><![CDATA[Italian opera]]></category>
		<category><![CDATA[Italian opera seria]]></category>
		<category><![CDATA[Joseph II Holy Roman Emperor]]></category>
		<category><![CDATA[la clemenza di tito]]></category>
		<category><![CDATA[late eighteenth century]]></category>
		<category><![CDATA[memorable graceful melody]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[mozart and opera]]></category>
		<category><![CDATA[mozart opera titles]]></category>
		<category><![CDATA[mozart operas]]></category>
		<category><![CDATA[Mozart’s music style]]></category>
		<category><![CDATA[mozart’s native salzburg]]></category>
		<category><![CDATA[opera history]]></category>
		<category><![CDATA[operas]]></category>
		<category><![CDATA[Pergolesi’s La Serva]]></category>
		<category><![CDATA[Person Communication and Meetings]]></category>
		<category><![CDATA[philosophy]]></category>
		<category><![CDATA[profound dramatic integrity]]></category>
		<category><![CDATA[renowned progressive thinkers]]></category>
		<category><![CDATA[Royal Opera House]]></category>
		<category><![CDATA[Singspiel]]></category>
		<category><![CDATA[skilled harpsichord player]]></category>
		<category><![CDATA[society’s lower classes]]></category>
		<category><![CDATA[title of a singspiel by mozart]]></category>
		<category><![CDATA[Wolfgang Amadeus Mozart]]></category>

		<guid isPermaLink="false">http://www.titlehere.com/?p=95</guid>
		<description><![CDATA[<p>Mozart’s music style and the late eighteenth century Classical era music are virtually synonymous. The goal of Classical era music was to conform to specific standards and forms, to be succinct, clear, and well balanced, but at the same time, to develop musical ideas to an emotionally satisfying fullness. As a quintessential Classicist, Mozart’s music [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Mozart and Opera History 1</title>
		<link>http://www.titlehere.com/mozart-and-opera-history-1.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=mozart-and-opera-history-1</link>
		<comments>http://www.titlehere.com/mozart-and-opera-history-1.html#comments</comments>
		<pubDate>Tue, 16 Jun 2009 20:31:44 +0000</pubDate>
		<dc:creator>TitleHere</dc:creator>
				<category><![CDATA[Opera titles]]></category>
		<category><![CDATA[Operas]]></category>
		<category><![CDATA[artists]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[classical music opera]]></category>
		<category><![CDATA[composer]]></category>
		<category><![CDATA[eminent musician and composer]]></category>
		<category><![CDATA[ingenious musical inventions]]></category>
		<category><![CDATA[Johann Sebastian Bach]]></category>
		<category><![CDATA[Ludwig van Beethoven]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[mozart and opera]]></category>
		<category><![CDATA[mozart operas]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[opera history]]></category>
		<category><![CDATA[operas]]></category>
		<category><![CDATA[religious musical composition]]></category>
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		<category><![CDATA[Wolfgang Amadeus Mozart]]></category>

		<guid isPermaLink="false">http://www.titlehere.com/?p=93</guid>
		<description><![CDATA[<p>During the latter part of the eighteenth century, Wolfgang Amadeus Mozart innovated new perspectives for opera history, imbuing his operas with portrayals of profound matters of the heart, all set against the explosive social and political struggles of Enlightenment Europe. It was the beginning of Mozart and Opera history.</p>
<p>Mozart became the first psychologist of opera [...]]]></description>
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